In today's globalised world, it is increasingly important to understand the otherness of different societies and their beliefs, histories and practices. This book focuses on a burning cultural issue: how concepts and constructions of gender and sexuality impact upon health, medicine and healthcare. Starting from the premise that health is neither a universal nor a unitary concept, it offers a series of interdisciplinary analyses of what sickness and well-being have been, are and can be. The originality of this book is its cross-cultural and trans-historical approach. Bringing together specially commissioned work by both major critical voices and young scholars in fields ranging from anthropology and art history to philosophy, political science and sociology, this volume challenges many traditional assumptions about gender, medicine and health-care. Issues addressed include: the politics and realities of female genital mutilation; sex-work and migration; the portrayal of mothering in contemporary African writing; the representation of AIDS in literature, photography and the media; the place of gender in ancient Egyptian health papyri; the dramatisation of morality and sexual over-indulgence in Thai literature; the relationship between myths of menstruation and power in early modern England; the role of anger in traditional Chinese medicine; and the ways in which both disease and sexual identities were redefined by cholera in the nineteenth century. The wide-ranging Introduction provides a historical and theoretical framework for what is defined here as Cultural Medicine, whilst fifteen original essays demonstrate from different perspectives that health is not merely a physiological and medical issue, but also a cultural and ethical one. An invaluable research and study resource, this book is written in a clear and accessible style and will be of interest to the general reader as well as to students of all levels, to teachers of a wide range of disciplines, and to specialist researchers of cultural studies and of medicine.

In today's globalised world, it is increasingly important to understand the otherness of different societies and their beliefs, histories and practices. This book focuses on a burning cultural issue: how concepts and constructions of gender and sexuality impact upon health, medicine and healthcare. Starting from the premise that health is neither a universal nor a unitary concept, it offers a series of interdisciplinary analyses of what sickness and well-being have been, are and can be. The originality of this book is its cross-cultural and trans-historical approach. Bringing together specially commissioned work by both major critical voices and young scholars in fields ranging from anthropology and art history to philosophy, political science and sociology, this volume challenges many traditional assumptions about gender, medicine and health-care. Issues addressed include: the politics and realities of female genital mutilation; sex-work and migration; the portrayal of mothering in contemporary African writing; the representation of AIDS in literature, photography and the media; the place of gender in ancient Egyptian health papyri; the dramatisation of morality and sexual over-indulgence in Thai literature; the relationship between myths of menstruation and power in early modern England; the role of anger in traditional Chinese medicine; and the ways in which both disease and sexual identities were redefined by cholera in the nineteenth century. The wide-ranging Introduction provides a historical and theoretical framework for what is defined here as Cultural Medicine, whilst fifteen original essays demonstrate from different perspectives that health is not merely a physiological and medical issue, but also a cultural and ethical one. An invaluable research and study resource, this book is written in a clear and accessible style and will be of interest to the general reader as well as to students of all levels, to teachers of a wide range of disciplines, and to specialist researchers of cultural studies and of medicine.

Nana Wilson-Tagoe analyses the work of selected writers and seeks to reveal how the historical imagination has inspired the literature of the region. This text is an exploration of how history has been perceived, constructed and used in the fiction, poetry and drama of the Caribbean. Nana Wilson-Tagoe shows how in turn the literature has broadened the definitions of history toinclude deeper currents and hidden influences. The book raises questions about gender and history and the ways in which women's experiences have mediated their portrayal of the past. The author also explores the complex role of Africa in the imagination of West Indian writers. North America: University Press of Florida; Caribbean: University of the West Indies Press

"There is in this work nearly total grasp of the central concerns of . . . Anglophone Caribbean literature. Few books on the subject cover it with the breadth and depth that this has."--Isidore Okpewho, State university of New York, Binghamton "An impressive range of explorations into the ways in which the better-known male Caribbean writers of fiction, poetry, and drama reconceptualize Caribbean history."--Kathleen M. Balutansky, Saint Michael's College Nana Wilson-Tagoe argues that it is in the imaginative recasting of the past, more than in one-dimensional explanations of historical processes, that we find insights in Caribbean history and that it is this recasting that has shaped Caribbean literature in the 20th century. Looking at major Anglophone Caribbean writers in three genres--novels, short stories, and poetry--she analyzes the ways in which history has been perceived, constructed, and used in West Indian literature. In that context she explores the interplay of reality and the fantastic; history and the imagination; myth and ancestral memory; time-bound conceptions of the West Indies and the timeless values of life there. While discussion focuses on the interface between literature and historiography, it also addresses issues in sociology, political science, and philosophy. Wilson-Tagoe's work will appeal to students of Caribbean literature but also and particularly to scholars who study the black Atlantic world, both on its own terms and in its relations with Western society and Africa. Nana Wilson-Tagoe teaches African and Caribbean literature at the School of Oriental and African Studies, University of London. She has published A Reader's Guide to West Indian and Black British Literature as well as articles in Caribbean Review, Trinidad Review, Wasafiri, and Comparative and General Literature.